Överskridande, 2020

Överskridande, 2020

Ett rum som svimmat, 2021

Ett rum som svimmat, 2021

Rym mig, 2021

Rym mig, 2021

Ett rum som svimmat, 2021

Ett rum som svimmat, 2021

Kapsel, Skalv, Betraktare, Organism, 2020

Kapsel, Skalv, Betraktare, Organism, 2020

Avstånd, 2019

Avstånd, 2019

Magiskt tänkande, 2021

Magiskt tänkande, 2021

Rastlöshet, 2021

Rastlöshet, 2021

Förhandling, 2020/2021

Förhandling, 2020/2021

dianaorving_varberg_48.jpg
Betraktare, 2019

Betraktare, 2019

Förhandling, 2020/ 2021

Pluppa, 2021

Pluppa, 2021

Rastlöshet, 2021

Rastlöshet, 2021

Rym mig, 2021

Rym mig, 2021

Teckningar, 2017

Teckningar, 2017

Betraktare, 2020

Betraktare, 2020

Lyft mig, 2021

Lyft mig, 2021

Förhandling, 2020Magiskt tänkande, 2021

Förhandling, 2020

Magiskt tänkande, 2021

Mjuk kraft, 2021

Mjuk kraft, 2021

Kapslar, 2021

Kapslar, 2021

Diana Orving

Närmanden

22 May – 29 August 2021


Varbergs konsthall presents the solo exhibition Närmanden by the artist and fashion designer Diana Orving (b 1985). In varying textile sculptures and large-scale installations, she fills the exhibition space with a choreography of the body, movement and materiality. 

Diana Orving describes her artistic process as an intuitive exploration in which every step is a reaction to the previous one. The process is reminiscent of choreography in dance, where the first combination of steps becomes the start of a whole series of movements. Through improvisation, the materials and sculptures develop into a movement.

For Orving, to dress and drape the body with textiles is to create a kind of moving architecture. Angles and curves are a part of the construction of the pattern, as are the possibilities for movement and the body’s own volume. The works in the exhibition evolve from being part of a movable architecture surrounding the body, to becoming their own unique architectonic entities in space. Hovering in the air, their forms are voluminous. They are imbued with a physical presence, yet they are also transparent, made up of air. They call to mind something organic, an animal skeleton, cocoon, or the seed pod of a plant. 

The wall sculptures contain a mix of fragility and rawness. Thin textiles have been fixed to the walls, resembling a collection of pinned butterflies. Draughts of air and the interplay of light and shadow create new forms and expressions. In many of Orving’s works, there is a sense of almost forbidden intimacy. The soft shapes and folds invite us into a state of contemplation, a private sphere where we can associate freely.